I reserve the synthetic versions for creating softer brush strokes on the final layers, as this way the strokes are far easier to blend. ![]() I find that the hog brushes are ideal for covering large areas in the earlier stages of the piece, as the split ends (known as flags) hold more paint and allow for more fluid application. I have both hog and synthetic varieties of most of the brushes that I own. In the best possible condition for that particular medium. Generally advised to keep separate sets of brushes in order to keep the brushes If you paint in both oils and acrylics, it is When choosing a brush this simply comes down to the particular section or stage I have no real preference between the two bristle types, You do not want the brush to be so soft that you cannot make a definitive mark, but when aiming for blended areas, their smoother bristles can leave less obvious brushstrokes in comparison to the hog. They are most commonly used in oil painting due to their stiffness and durability, but I have found that they can also be useful in the blocking-in stage of an acrylic painting too.ĭepending on the quality, I have also found synthetic brushes to be very durable, but the real advantage of this types of brushes is their softness. Hog brushes are made up of coarse, thick bristles that are ideal for applying an even coat of paint over large areas. Perhaps the most commonly used bristle types for acrylic and oil painting are hog and synthetic. It is not unusual for me to retire this type of brush to less detailed work after using it on just one painting, as even the slightest amount of fraying can make achieving a realistic fur effect far more difficult.Ī detail brush that has become blunt can still be useful for other areas where softer blending is required, such as when painting eyes and noses. It is also worth keeping in mind the condition of these brushes in particular as once they lose their point they can definitely compromise the scale and shape of the individual hairs. To help when it comes to your own work, I have put together a brief guide on the brushes that I use most often within my wildlife acrylic paintings: FlatĮven in my largest works, I will use a size 1 or 0 detail brush to pick out the lightest hairs on my subject, which I find really brings out the depth and contrast within the fur. Hair lengths also vary so much within the subject itself, and selecting the right brushes can really assist with capturing the fine details that will bring your painting to life. ![]() Of course, the textures found within fur vary enormously throughout the animal kingdom. Brushes I use most often for wildlife paintingsĬhoosing the right brushes (and using them at the right time), is key if you want to create a genuine sense of texture in your artwork. ![]() If you’re struggling to achieve the realistic fur look that you’ve been aiming for, part of the problem may be that you’re not using quite the right tools for the job. ![]() However, it can at first seem quite overwhelming if you don’t know where to start. Painting fur is one of the main reasons I love depicting wildlife it is so easy to get lost in building up the textures and colours that can be found there.
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